The Walls Can Talk

Do you ever get that weird feeling that the universe is trying to tell you something? That fate is giving you a gentle nudge in a specific direction for reasons you don’t understand?

If so, have I got a story for you!

If not, well, it’s entirely possible that I am the only person who has ever felt this way, but it certainly wouldn’t be the first time I’ve been delusional about things.

Let me give a little background information to set this up.

I grew up in a suburb of Kalamazoo, Michigan, but my father’s four sisters owned a cottage on the shore of Lake Michigan in the little touristy town of South Haven. I spent every summer of my childhood at that cottage and eventually ended up living in an even smaller town somewhere in between Kalamazoo and South Haven.

South Haven has always been important to me, as has the Big Lake. Lake Michigan. Mishigami, the Ojibwa word for “large lake.”

Despite my love of water, however, I was never really allowed to go out on the big lake in any boats. My aunts and Dad had some very strict rules about boating since their own brothers were killed in a tragic boating accident in 1954. Totally understandable, but understanding it didn’t do anything to stop my curiosity about boats, especially when it came to the subject of Great Lakes shipwrecks.

Stay with me here. I’ll get to my point eventually.

I first learned about the Eastland disaster when I was in college. Not only did it have connections with my little town of South Haven, it was a fascinating, horrifying tragedy that should be more famous. Everyone should know about it, but very few people actually do.

The Eastland was a steamship designed specifically to accommodate South Haven’s shallow harbor, and was launched in 1903. Its owners originally chose to name it the City of South Haven, but that name was taken by another ship launched a few months earlier.  Thus, it was renamed  the Eastland and began its nautical life shrouded in superstition because sailors believe it is bad luck to rename a ship.

After a long run of bad luck and near-misses as it changed ownership over the years, the Eastland became a passenger ship with a reputation for being unstable and prone to listing. On July 24, 1915, it lived up to its reputation by rolling over on its side while still tied to the dock in Chicago with over 2500 passengers on board.

844 of those passengers died. That’s the most lives lost in any single vessel disaster on any of the Great Lakes.  70% of the victims were aged twenty-five or younger. Twenty-two entire families were completely wiped out.

And yet …. very few people have ever heard of the Eastland. I wanted to understand why.

I’ve studied and researched the Eastland off and on over the years. Someday, I kept telling myself, I’m going to write a historical fiction set around the story of the tragedy.  But, as anyone who’s read my blog probably knows by now, I’m pretty easily distracted. For a lot of years, I didn’t write anything at all, much less any kind of fiction about the Eastland.

A few years ago, the museum in South Haven had an Eastland exhibit. I went to see it, of course. I listened to a lecture about it as well.

Cool. Totally fascinating. I got excited about it again.

Oooh, look, something shiny!

I worked front desk at a hotel in South Haven for few years. One busy summer night, I saw a couple of men lugging cameras and video equipment as they checked in with the other desk clerk. When I asked her about it later, she told me they were in town to do some interviews for a documentary they were making about “some big boat that tipped over a Chicago a long time ago.”

Holy crap.

I may or may not have broken a few rules about guest confidentiality that evening, but I ended up having a very nice chat with Chuck Coppola, who was in town to interview author Michael McCarthy about his book Ashes Under Water: The SS Eastland and the Shipwreck That Shook America. 

Mr. Coppola, by the way, is a very kind man who shared his knowledge and encouraged me to write my historical fiction. He even told me I could use his name as a reference if I ever wanted to contact Mr. McCarthy for more information. For the record, I haven’t done so yet. That’s just too scary at this point.

More shiny things happened. I wrote other books. Researched the Eastland some more but never quite figured out what story I wanted to tell about it. Moved a few times, settled into my old house, started a renovation.

Okay, this is where it gets weird.

I’ve gone through five contractors and learned a lot of strange things about my house. Found an old bamboo pole, some broken china, a dipstick, and a mummified bat inside the walls when the old lath and plaster came down. Yesterday, though, my contractor found a real treasure.

Tucked neatly inside the walls of my future office was a folded brochure for the City of South Haven and Petoskey for the summer of 1917. Two years after the Eastland disaster.

1917 was the last year the City of South Haven would sail as a passenger ship on the Great Lakes.  In April of 1918, it was purchased by the U.S. Navy.

That’s a pretty narrow window, right? The shipwreck I’ve studied so diligently over the years happened in 1915, and the flyer for its competition from 1917 somehow ended up inside the plaster walls of the house I am renovating in 2020.

What are the odds?

As I carefully looked through the old pages, the pictures and descriptions attacked my brain. That’s the only way I can describe it. By the time I went to bed last night, I knew my characters and their stories. I’ve got it. It’s in there.

I don’t want to jinx it by saying any more about it just yet. I don’t want to mess with fate, or the universe, or my 54 year-old brain that tends to forget things. I just want to write it down before I see anything shiny.

And yeah, have I got a story for you.

 

 

 

 

 

 

 

 

 

Wagon Wheels

 

The Wheels Fell off My Wagon is done and with my editor right now. I am hoping to have revisions and rewrites finished soon, but in the meantime I want to share a little bit about it.

This is the most personal thing I’ve ever written. It’s a bit of a departure for me, and I’m rather nervous. Let me explain.

This book will be the fourth in my Goode For A Laugh series; it was written in the same spirit as the others and is the natural progression in the story, but it’s different at the same time. Unlike the first three, the story told here is a bit more linear, with a slightly more unified tale from beginning to end.  And unlike the others, this one touches on life after the death of my kids’ dad.

Not exactly material for a comedy, you say? Maybe not. Stay with me here.

The Big Guy — Ken — was indeed a big man, with an even bigger heart and a sense of humor as endless as the sky. We clashed as spouses but made a perfect team as co-parents and friends; he was the best almost-ex-husband any woman could have asked for.

It could have been awkward. It should have been awkward. In a town of just over 500, everyone knew us and it seemed like everyone wanted to take sides. We still went to school events together and carpooled to family birthdays and such, and confused the hell out of everyone because we refused to take sides.

Sometimes it felt like the people around us wanted us to be at each other’s throats. Sure, we had some ugly moments. I’m fairly certain he probably wanted to toss me off a roof almost as many times as I fought back an urge to kick him in the balls while wearing steel-toed stilettos. But … it worked for us. I don’t know how, and I don’t know why. It just did.

And no matter what, we never stopped laughing. Sometimes we laughed at each other more than we laughed with each other — usually during the aforementioned ball-kicking-roof-tossing moments — but we always found reasons to laugh.

That’s who we were.

At his funeral, one of his co-workers stood up and performed an original blues ballad about him, complete with harmonica, dark glasses, and black beret. And we laughed. All of us. Because laughter at a funeral was such a Ken thing. We laughed and we cried, and no one questioned whether the tears were caused by our laughter or our grief.

Because that’s who he was.

And that’s how I want to remember him.

There was a lot of anger after he died. A lot of ugliness. Some folks saw me as the villain, a bad guy of sorts. The evil ex-wife who had no business at the hospital or at his funeral; I was the ex who wasn’t really an ex, and it was easier to judge me than to try to understand. I shouldn’t have let it hurt me, but I did.

I wrote this book because I don’t want to feel hurt or betrayed or angry any more. It seems disrespectful to him, somehow, to associate any of those feelings with him. Memories of Ken should bring smiles, laughter, warmth. Okay, maybe a little sadness because he’s not with us any more, but none of the other negative stuff. He deserves better.

The Wheels Fell off My Wagon isn’t about Ken’s death. It’s not a tragedy. It’s about celebrating life and healing and recovering from unimaginable loss and grief. It’s about the kids and me using humor to move on without him, rebuilding our home as we’ve rebuilt our lives. It’s about hope.

This one’s for you, Ken. Miss you, Big Guy.

Of Serenity, Laughter, and Merry Widows

I know I haven’t been sharing much here on my blog over the past year and a half, and I want to apologize for that while I pass along a few quick updates.

First off, Love, Charlotte has been been delayed again, obviously. I know writers are supposed to draw from personal experience for our creations; I’ve always written as a way to work through traumas in my personal life. This time, however, there were a few passages in my book that hit a little too close to home while the pain was still too fresh. In short, I have to re-work some of it because real life bled into the pages and I’m not at a point yet where I can step back and look at it objectively.

It is coming. I promise, although I can’t say when.

Next, I have anther project in the works that I can’t really discuss just yet. I don’t want to jinx it. Hey, sue me for being superstitious! Trust me when I say this could be HUGE if it goes well. Cross your fingers for me, if you don’t mind.

I have also been working away on a little something I like to call The Wheels Fell off My Wagon. It’s part of my Goode For a Laugh collection, recounting some of the wild and crazy things that have taken place in my world since moving back out into the country and adjusting to life out here in the boonies.

In a way, it’s sort of a tribute to the Big Guy. It’s all about honoring his memory with laughter as big part of dealing with our grief.

Talk about bleeding on the pages, right? Maybe. Crying a bit, too, but not all tears are sad. He left us with so many good memories that it only seems right to remember him with laughter.

And speaking of Goode For a Laugh, I want to let everyone know that I’ve made the very difficult decision to pull the collection out of Kindle Unlimited so I can make the books available through more markets. I am truly sorry to do this for those of you who subscribe to KU, but there are a lot of behind-the-scenes problems with the program that have a huge impact on the amount being paid to authors. Until Amazon gets it straightened out, I need to explore all of my options.

For the time being, I will be leaving my Romances in KU. I promise to keep everyone updated if that changes in the future.

Last but not least, I want to share that my friend and I are about to embark on something she has dubbed The Merry Widows Tour. “Morrigan” and I are heading to Texas for nine days with no adult supervision because we are the adults. Frightening thought, that. The third adult, our friend who has always been there to keep us out of trouble, is not going with us.

I haven’t been on an airplane since the 1980s, and I’ve barely left my little town in several years. I’ve definitely never been away from my kids this long. It’s going to be hot and humid and far from home (and there will be wine tours–multiple wine tours), and I am going to be so far outside of my comfort zone that I’m not sure I’ll ever slide back into it.

That’s a good thing. My comfort zone has become way too small and restrictive lately.

Watch out, world.

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Love or Money

Several years ago, I was faced with a difficult decision of whether or not to accept a new job that didn’t exactly line up with some of my beliefs and ethics.  We were struggling for money and the pay offered by the new employer was great. Beyond great, actually. Sort of an answer to our prayers.

But something about it didn’t feel right.

I asked my then-husband what he thought. “They aren’t breaking any laws,” I told him. “Technically, they aren’t really doing anything wrong. Would it be wrong to work for them?”

“If you have to ask that question, then you already know the answer,” he said.

We may be divorced now, but I’ll always be the first to admit that he can be a very wise man. I turned down the job offer and we went back to struggling financially and cursing my minimum-wage job. But I’ve never regretted that decision.

Recently, I’ve been thinking a lot about his words of wisdom because of something going on in the writing community. Specifically, within the self-publishing area of the writing community.

Before I dive into that, I want to explain to some of my non-writer friends out there that most writers engage in a never-ending debate about “writing for love” versus “writing for money.”  Those in the “love” camp are the kind of artistes who can be heard saying things like, “I write what I love, what’s in my heart, and if no one ever reads it … well, at least I’ll die knowing I was true to myself.”

Those in the “money” camp are quick to counter with, “I want to earn a living with this, no matter what it takes.”

For the record, I’ve always considered myself pretty firmly lodged halfway between the two camps, where I want to write what I love, but I also really want to make a living with it. I’ve never believed the two are mutually exclusive, and so I’ve been bumping along with a sale here and an award there, just hoping to earn a little more than I spend each month on marketing. Hoping that soon, I’m finally going to write that book that pushes me up to the next level.

In the meantime, I fritter away far too much time at a place called KBoards Writers’ Cafe. It’s a forum where my fellow writers gather to share ideas about writing and publishing. Most of the authors there are way out of my league; they are the type of professionals who have reached a level I don’t even dare dream of. And yet the majority of them are the type of professionals who are also willing to share a little of what they’ve learned, constantly reaching out to offer advice and guidance to piddly little nobodies like me.

In recent days, there have been some really eye-opening conversations at the ol’ Writers’ Cafe. And I’ve come away feeling depressed, overwhelmed, and … well, doomed to obscurity.

A man came into the forum and freely admitted that he publishes under a number of pen names and uses ghostwriters to churn out multiple books each month. Okay, nothing too bad so far. I find it a bit distasteful, but not horrible.

But the kicker is that he uses female pen-names and then pretends to be a woman in order to connect with his female readers. On a personal level. As in, discussing things like sex, orgasms, virginity, etc. with his fans, encouraging them to open up because he is, after all, one of them. Just one of the girls.

Under another pen name, he pretends to be a gay man so fans of his homosexual romances will trust him and chat with him.

Under yet another, he is a black woman gleaning information from trusting readers who enjoy his multicultural novels.

The list goes on and on. And although the majority of KBoards authors were quick to denounce him, a significant number stepped up to say that they see nothing wrong with what he is doing. After all, they argued, he’s not breaking any laws. He’s not hurting anyone. Besides, his readers and fans should know better than to share personal information with someone on the internet, right?

He’s successful, and isn’t that all that matters?

Well, yeah, but …

It’s paying off for him, and for others like him, to the tune of thousands of dollars. Tens of thousands. Hundreds of thousands, if he is to be believed. He and his group of friends have books that dominate the bestseller lists, so obviously it’s working.

I’ve learned a lot since I started self-publishing four years ago, but I think these past few days have been the most educational of all. His posts have inspired some intense discussions that have left my mind reeling. In addition to his creepy deception (yup, I’m gonna go there and call it creepy), he’s also shared information about  buying circles and mega-marketing groups that work together to push each other’s books up the charts by throwing huge sums of money around in order make even more money.

In the debate between writing for love or writing for money, these people are leaving the “love” writers in the dust.

It’s becoming clear to me that one little ol’ writer, sitting at my computer in a tiny town in Michigan, is never going to be able to compete with that.

I’ve got to admit, I haven’t done much writing over the past few days.  I’ve been terribly discouraged, and I’ve wondered if maybe I’ve just been fooling myself this whole time. Yeah, I thought about giving up.

And then I thought about that age-old debate between writing for love versus writing for money, and I realized that I’m no longer lodged halfway between the two camps. I finally know what kind of writer I am: I write for love. Plain and simple.

I write because I want to tell stories and entertain people. I write because I’ve always written; I write because I’m a writer. It’s not who I am. It’s what I am.

I write because I’m not happy if I don’t write.

I’m not giving up; I’m just shifting my goals a little bit. Changing my focus. I’ll keep on writing my books — and enjoying myself — and I’ll keep publishing them because it’s fun. It makes me happy, and it makes a little bit of money. And I accept that it’s probably never going to earn me a fortune.

I’m okay with that now.

Because, basically, it all comes down to this: If I think about being the other kind of writer, a writer like the man who challenged my viewpoint this week, I’d have to ask myself, “Is it really wrong?”

And if I have to ask that question, I already know the answer.

 

 

 

Victoria’s Promise Pre-Order

I’ve got some good news and some bad news. The good news is that Victoria’s Promise is now available. The bad news is that it’s only available for pre-order at this time.

I really wanted to have the book ready to go by the end of March, but I don’t want to cheat anyone by pushing it out before it’s completely ready.  I learned that I had made a slight mistake about some of the history mentioned in my book, and I just wanted a couple of extra weeks to clean it up before I release it on April 30.

As a way of apologizing for keeping you all waiting, I’ve listed it at .99 cents during the pre-order and will keep it at that price for a limited time before bumping it up to its regular price of $2.99.

Thank you all for your patience. I’m doing everything in my power to make sure this book is worth the wait!

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Victoria’s Promise

Work is coming along nicely on Victoria’s Promise, the second book in my Brides of Serenity series. I am aiming for a Valentine’s Day release, but nothing is set in stone just yet.

Victoria’s Promise is the story of a grieving young widow who comes to Serenity to start a new life as the town rebuilds after the tragic fire that swept through the state the previous fall. She meets Will Baxter, the shopkeeper who is appalled to discover that the new schoolteacher is not at all what he was expecting.

If you’ve read Letters to Caroline, you’ll be happy to know that Caroline, Adam, and the others will be back for more adventures this time around. And if you haven’t read it yet, it’s only $2.99 on Amazon. (Hint, hint.)

Just to whet your appetite for my next book, here is a little preview of the opening chapter of Victoria’s Promise. I hope you all enjoy it!

 


“Promise, Victoria,” the man wheezed.

Victoria Dawson brushed her fingers across his warm face. “Shh, Matthew, I’m here. Everything is going to be all right. Just rest.”

Matthew turned his face toward her. His blue eyes were bright with fever, but she saw awareness in his gaze. For the moment, at least, he knew what was happening.

“Promise me,” he repeated.

“Anything,” she whispered.  “What do you need, my love?”

“Marry again . . . after. Find a man who will love you as much . . . as I did.”

“Don’t be silly, Matthew.” She laughed without a trace a humor in her voice. “You’re going to be just fine in a few days.”

“Victoria.”

“Stop it!” Victoria rose from her chair beside their bed and stalked to the window. The St. Clair River sparkled in the rising sun on what promised to be another hot, steamy day, and she ached for the touch of a cool breeze on her skin. She wondered idly if autumn was drawing near; she had lost count of how many days and weeks she had spent in this bedroom tending to her husband in his illness.

Dr. Winslow had told her that it was only a matter of days at this point. The disease that ravaged Matthew’s body was slowly taking his life, and there was nothing anyone could do to save him.

“I want you to leave Port Huron . . . start a new life away from . . . memories of me.”

She whirled and stared at him. Surely he was delirious again. No sane man would suggest that she leave the cozy little home they had made for themselves here.

But his eyes were still clear as he stared at her. “I wrote . . . letters,” he said, and began coughing.

She hurried back to his side and held him as the coughs racked his body. When the spasms finally eased, she wiped the flecks of blood from his lips and helped him take small sips of water. “Rest,” she whispered, kissing his cheek.

“I wrote letters,” he said again. “Forgive me.”

“What – what kind of letters, Matthew?”

“They need a teacher in Serenity,” he told her. “I said you’d . . . take the job. When I – when I am gone . . . sell the house and go. Start over.”

She gasped. She hadn’t taught since she married him nearly two years ago, and even then she’d been one of a handful of teachers at a big-city school. Serenity was a backwoods lumber town on the other side of the state. She wasn’t prepared to teach at under those conditions. Besides . . .

“But I want to stay and take care of you,” she protested.

“I’ll be gone soon,” her husband said. “Promise me, Victoria. . . you’ll start over in Serenity . . . you’ll marry again. Please. Give me your word.”

She opened her mouth to protest again, but stopped when she saw the haunted look in his eyes. In that moment, she realized that it was time to believe both her husband and the doctor. Matthew was not long for this world. He needed peace of mind in his final moments.

“I promise,” she said slowly, choking back tears.

He smiled and closed his eyes, drifting into a fitful sleep. Victoria stayed with him through the night, holding his hand and wiping his face with a damp cloth from time to time. And when he slipped away sometime near morning, she kissed his forehead one more time.

“I promise,” she told him again. “I promise to make a fresh start, and I promise to marry again. But I will never love anyone again, Matthew. Never.”

Of Quests and Walmart

Not too long ago, in the midst of an online discussion among writers, someone asked the question: “How do you define success as a writer?”

People came up with all kinds of wonderfully artsy-fartsy answers that ranged from heartfelt (“when I get my first nice review from a complete stranger”) to the practical (“when I can pay my rent on what I earn from writing”) to the downright silly (“When I can buy my own jet”).

My answer? “When I can see one of my books on the shelf at Walmart.”

Yeah, they gave me a hard time about that. What can I say? I live in the middle of nowhere, and WalMart is about the only place around to buy books. We may be rednecks and hillbillies out here, but some of us are well read rednecks and hillbillies, and there just aren’t a lot of places around here to shop.

For anything.

Well, we have a Mr. Grocery and a Pick-A-Liquor nearby, but I strongly doubt I’m going to find any good reading material at either of those.

A great bottle of cheap wine, yes. The newest treasure from Shanna Hatfield? Not so much.

So now that I have a story appearing in Chicken Soup for the Soul: Angels and Miracles®, I am on a quest.  It is my new goal in life to take a selfie standing in front of the bookshelves at the local Walmart with my edition of Chicken Soup for the Soul on the shelf beside me. Doesn’t seem like that should be such a difficult task, now does it?

But my local Walmart doesn’t have it.

Neither does the Walmart in Paw Paw. Or the Walmart on 9th Street in Kalamazoo. I’ve even expanded my quest a bit to the local Meijer’s, but no luck.  They all carry Chicken Soup for the Soul in all kinds of varieties, but none of my edition.

Think about it for a moment. What could possibly be more ridiculous than having a major quest in life that involves Walmart?

Not being able to fulfill that quest at Walmart.

I can see it now. I have a long future ahead of me as some sort of crazed creeper in book departments of Walmarts of the world. I’ll devote my days to searching out a copy of my edition of Chicken Soup for the Soul so I can take a selfie with it. By the time it finally happens (and it will happen eventually), I’ll be a gray-haired old crazy woman who runs around Walmart with my cell phone in hand, murmuring to myself about selfies and chicken soup.

Of course, since it’s Walmart, no one will notice.

On second thought, it might just be easier to find a different way of defining success for myself.

Then again, I’ve never been one to do anything the easy way.

 

 

 

History Nerd

My son recently had to study for his first really big test at school. It was all about Michigan history, and I’ll admit that helping him study was a lot more fun for me than it was for him.

He’s eight years old, so it’s all pretty boring to him. I am fifty and a certifiable nerd, so I enjoyed it. The experience reminded me of just why I minored in history in college for about two weeks in my Sophomore year, somewhere in the middle of minoring in Journalism, Theater, and Communications.

Okay, I’m an indecisive nerd.

I love history. Oh, not all the exact dates and numbers of famous battles in history or stuff like that. I’m more interested in how people lived ‘way back when. What they wore. What they ate. Who they married. What was it like to travel by covered wagon? And what did it take to make a journey like that, especially knowing that you might never come home to see your family ever again?

I want to read stories about people who lived during exciting times in history. I was amazed to learn that many of the women who traveled with their men on those wagon trains actually walked alongside the wagons for most of the journey. Walked. I could never have done that! Heck, I don’t even like walking to the convenience store.

When I made the decision to trying writing a historical romance, I put a lot of thought into choosing what era to write about and what part of the country to use as a setting. Michigan was a pretty easy choice because I’ve lived here all my life and I know the area. It wasn’t exactly the “Wild West” but it was definitely a frontier in its own right, complete with drama, adventure, and hardship.

And history.

One story that always fascinated me as a kid was the one about Old Lady Leary’s cow kicking over the lantern and starting the Great Chicago Fire of 1871. Now, in reality, the fire had nothing to do with a cow, but it was a huge turning point in Michigan’s history. The lumber industry revved up into high gear to produce wood for rebuilding after the fire, which led to decimation of much of our forests here in the lower peninsula. There were boom towns that grew up around the increased need for lumber; towns that were left in ruins when the trees were gone. One such town was Singapore, which is now buried somewhere beneath the sand not far from modern-day Saugatuck.

Everyone knows about the Great Fire. But what most people don’t know is that Chicago wasn’t the only town that burned from October 8 – 10, 1871. Fires in Peshtigo, Wisconsin claimed anywhere from 1,200 to 2,400 lives. And in Michigan, towns like Holland, Port Huron, and Manistee suffered near-total devastation, while smaller towns were also damaged as well. There is no way of knowing just exactly how many lives were lost during the disaster.

I find it amazing that anything so huge has been basically forgotten in the 145 years since then. So I wanted to build my series around that event, featuring women who come to the town of Serenity for their own reasons– although each one comes because of a promise made in letters she has received. Letters to Caroline tells the story of the days leading up to the fire, while Victoria’s Lessons and Love, Charlotte are all set during the aftermath and rebuilding.

I know not everyone gets as excited about history as I do, but I hope some of you get excited about an adventure and love (of course!) set against a background of American history.

To find out more about my Brides of Serenity series, please sign up to receive my newsletter with information on release dates and maybe a sneak peek or two. I’ll even send you a free short story that takes place a few months before the series starts.

 

Happy Summer!

 

You know how sometimes you just feel the need to go back and re-read a book that you’ve read many times before?

That’s where I’ve been lately. I don’t know why, but I recently had to sit down and read Janette Oke’s Love Comes Softly and all its sequels. They are sweet, easy-to-read stories that I discovered during my first pregnancy when I became obsessed with tales of the American Frontier.

I also watched the movies “based on” the first three books in the series and laughed my ass off over some of the worst book-to-movie adaptations in the history of book-to-movie adaptations. Really, Hallmark? Did any of you folks actually read any of the books?

At any rate, re-reading Janette Oke’s books has sent me off on a reading spree of romantic fiction set during that era. I’ve discovered authors like Shanna Hatfield and Annie Boone. I’ve become addicted to the  Cutter’s  Creek and Pendleton Petticoats series.

Now, I don’t know about any of you, but when I discover some new favorites, I tend to go a bit overboard. Housework suffers. I stay up too late at night reading. I get lost in the fictional world I am reading about.

And because I’m a writer, something else happens.

I get inspired.

So .  . . I am writing my first historical fiction. It’s something I’ve always wanted to do but have been afraid to try because I worry that I’m not smart enough to get the historical details right. But if I’ve learned anything in the past few years, I’ve learned that the only way to conquer fear is to face it head-on and tell it to go to hell.

It’s going to be a squeaky-clean romance, without any descriptive sex. Hey, I want to write something my mother-in-law can read without leading to any uncomfortable conversations between us!

Never fear, I’m still finishing up my Beach Haven series, and I plan on continuing to make folks smile with the sequel to Fat, Fifty, and Menopausal. I’m just taking a little detour. So please be patient with me and understand if things stay quiet here for the next few months. I promise, I’m still going strong. I’ve got books to read, books to write, bonfires to attend, and a great big lake to swim in.

What about all of you? What are you reading this summer?

Happy summer, all!

 

 

 

A Question of Why

“Why do I write?”

That’s a great question, especially since I’ve already been focusing so much on self-doubts when it comes to expressing myself with the written word.

When most people think of being a writer, they picture one of two extremes. At one end, there are the James Pattersons and Danielle Steeles, writers who are ultra-famous and wealthy beyond our wildest dreams. The J.K. Rowlings and Nora Robertses of the world. Successful, well-known, respected writers.

And at the other end, there is the stereotypical artiste. The artsy-fart who wears black and chain-smokes European cigarettes while drinking too much and moaning about pouring his soul onto the page for an audience who can’t yet comprehend his brilliance. He is the starving artist who would never dream of “selling out” or betraying his artistic soul by allowing his work to be chewed up and spit out by the unwashed masses who just aren’t ready for him.

The truth is, I think most writers are just like me. Normal, ordinary people who like to tell stories and just hope that a handful of people out there want to read what we write.

Why do I write?

I like to entertain people. I like to make you laugh. I like to spin a tale that catches your attention and pulls you in, that makes you forget to blink and then breathlessly ask, “and then? What happens next?”

I like talking. Telling stories. I get a kick out of taking everyday occurrences and looking at them upside-down and sideways to find a story to tell. I like to look at the world around me and ask “what if?”

What if those old people over there were actually long-lost lovers?

What if that handsome man over there is actually a killer on the run?

What if (insert random situation) had ended differently?

What if . . . what if . . . what if . . 

Try it sometime. It’s fun.

People have always told me that I should write a book. Okay, I think a lot of those people were probably just trying to find a polite way of telling me to shut up, but I can still find encouragement in their words.

Why do I write?

I write because it gives me pleasure.

Some folks get really dramatic and talk about “bleeding on the keys” or writing because they must. Oh, there are plenty of powerful memes and inspirational posters about having a story within that must find its way out.

Yeah, okay, all that shit’s pretty cool.

But writing — real writing — isn’t just about those bursts of inspiration and manic late-night sessions at the keyboard when the ideas and words are flowing like streams of uncontrollable vomit. It’s not just about waking up with a gasp at 3:28 in the morning because a sudden idea has hit right now and hit HARD and you’ve got to jot it down NOW before it is gone forever.  It’s not just about those days when you zone out in the middle of a crowd because there’s a scene from your newest story playing out in your mind like a movie and you’ve got to watch it so you don’t forget.

Writing can be all of that. And when those things are happening, the best thing you can do is grab the safety rails and hang on for the ride of your life.

But most of the time, writing is hard work. It’s getting up before dawn to scratch out a few words before the day starts. It’s taking classes and studying the greats and attending workshops. It’s reading books and honing your skills. It’s practicing, practicing, and practicing some more. It’s starting out with a tiny germ of something and doing your damnedest to turn it into something better.

It’s about writing when you’d rather watch TV or play on Facebook. It’s about editing and re-writing and editing some more. It’s about accepting that you are not perfect. It’s about swallowing your pride and learning from experience when someone is brave enough to tell you that what you’ve written really isn’t very good. It’s about being willing to “kill your darlings” if that’s what it takes to create a better story.

[Note: if you don’t know what it means to “kill your darlings” please don’t worry about my children at this point. Trust me, it’s a Faulkner thing.]

It’s about knowing when to listen to a critic and when to trust your own judgement and maybe, if you’re smart and very very lucky, ending up at that perfect place between the two.

Why do I write?

Sometimes, I read back over something I’ve written, and I cringe. Yikes, did I actually write that self-important bit of crap called “Had I But Time” back in the ’80’s, complete with a nod to Shakespeare in the title? Worse, did I really send that out to publishers? Oh, dear Lord, may the universe forgive me . . .

But just as I’m ready to haul my mortified self under the kitchen table to hide in utter embarrassment, I’ll read over something else I’ve written, and I think, “Hey, that’s not bad.” Of course, that thought is often followed rather quickly by, “It’s not exactly good, either.”

What can I say? Self-confidence is not one of my greatest strengths.

Why do I write?

I can’t give you one easy answer because there is no easy answer. I write because . . . I’m a writer. It’s not what I do; it’s what I am.

I may never make a living as a writer. I’m fairly sure I’ll never be among the ranks of the super-rich and mega-famous, although I would  be totally okay with being either one. Just saying.  But in the meantime, I’m totally okay with being exactly where I am as long as I am writing.

Why do I write?

Because I love it.

This has been part of the Finish the Sentence Friday blog hop, with the prompt “Why do I write?”  Your host is Kristi from Finding Ninee, so please check out her blog and some of the other fabulous writers who participate in this weekly writing exercise. 

 

 

 

 

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